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The child seems to be coping, however-or perhaps she does not yet have the language with which to articulate her suffering.ĭiane Severin Nguyen, If Revolution Is a Sickness (video still), 2021, 4K video, sound, 18 minutes 53 seconds.
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lived without the sun” and the “truth of unremembered things,” experiences that could refer to the catastrophes of the twentieth century or contemporary life. In this scene, a Polish voiceover subtitled in English describes “years. The film’s script incorporates writings on revolution by Hannah Arendt, Édouard Glissant, and Ulrike Meinhof, among others, though the references are indecipherable composites that make it impossible to trace what is borrowed from whom, and with what logic. Too young to be without a caretaker, she nonetheless takes to wandering alone as she stretches, dances, and plays with a strip of red ribbon. The click of a camera shutter accompanies a closeup shot of her eyes opening.
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A solitary Vietnamese child populates this post-apocalyptic world, and is first shown sleeping peacefully with her head on the soft, wet sand, held gently by the water’s ripples. It opens with a shot of a sunless shoreline amid a desolate landscape of fallen logs, barren fields, and barbed-wire fences graced with drops of rain. The centerpiece of her first institutional solo show-which begins at SculptureCenter in Queens, New York, before traveling to the Renaissance Society at the University of Chicago-the film was shot in Poland while the Vietnamese American artist was supported by a residency there. Diane Severin Nguyen’s nineteen-minute video If Revolution Is a Sickness (2021) seems paced to the push and pull of tides, the rhythm of the waves.